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| 163 Main Street, Cold Spring, NY 10516 917-476-0178 MarinaGallery@aol.com | |||
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1963-1968 |
Institute of Fine Arts, Moscow, Russia. Graduate with a specialization in Art Restoration and Conservation |
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1961-1963 |
School of Fine Arts for the Gifted, Moscow, Russia |
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1982-present |
President and Chief Conservator, Restoration on Location. Independent conservator for museums, galleries, institutions and private collectors. |
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1978-1982 |
Vice President and Chief Conservator for Art Restoration and Conservation, Inc. |
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1968-1974 |
Art Conservator for Art Restoration and Conservation Center in Moscow, Russia |
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2004 |
Ornamental Murals, Colony Club, Dining Room, New York City Oil on plaster, approx. 2000sq.ft. Surface cleaning, removing of food stains, cleaning of shellac coating, stabilizing plaster in water damaged areas, filling plaster losses, reconstruction of the missing parts of design, inpainting paint losses, varnishing. Sub-contracted by Luca Bonetti |
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2003 |
Five Historical Murals, Middle Island School, Setauket, NY. 2 murals 13x10, 2 murals 13x12, 1 mural 13x50, oil on canvas, mounted on wall. Removal of the murals from wall, re-installment of murals following restoration. Sub-contracted by Luca Bonetti |
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2002 |
Ornamental Design in three court rooms, Philadelphia Court House, Philadelphia, PA. 1428 sq. ft., casein on plaster. Surface cleaning, reconstruction of the missing parts of design. Collaborated with Felicity Campbell, Inc. |
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2001 |
Council Chamber, City Hall, New York City. Oval shaped mural, oil on canvas, mounted on ceiling, approx. 900 sq. ft. Consolidation of the canvas by injecting glue into the pockets of separation between canvas and plaster. Sub-contracted by Luca Bonetti |
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1999 |
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1998 |
Nicholas Roerich, The Treasure of Angels, 13'x15', tempera and oil on canvas, The Roerich Museum in New York City. Consolidation of the canvas, strip lining, flattening, consolidation of the paint layer, reconstruction and extensive inpainting of the paint losses. |
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1997 |
Medina Club, Bloomingdale, Chicago, IL. Ornamental murals, tempera on plaster. (Original design by muralist and architect J. Monroe Hewlett). Removal of heavy overpainting, reconstruction of paint losses. Sub-Contracted by John Canning Inc. |
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1996-1997 |
Grand Central Station, The Sky Mural, New York City. 250,000 sq. ft., oil and gold leaf on 900 panels, 8'x4' each. Winter North Sky with 8 Constellations and 2,5000 Stars. Surface cleaning caused by smoke and grime, inpainting of the water damaged panels. Field Conservator sub-contracted by John Canning, Inc. |
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1995 |
Miami Edison Middle School, Miami, Fl. Fifty Decorative ornamental reliefs in the Auditorium, Art Deco motif, casein on plaster mouldings. |
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1994 |
American Museum of Natural History, New York City. Mural Cave Man by Charles Knight. 6'x17', oil on canvas. Removalof the plaster on the back of the canvas, repair of tears and losses on the canvas, removal of overpaint and varnish, reconstruction of missing parts of the composition, inpainting, and varnishing. |
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1991-1992 |
Collaborated with Felicity Campbell. |
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1990 |
Valentine Museum, Richmond, VA. The Oval Parlor Room. Scenes from the Iliad, 1813. Three murals, tempera on plaster, 4'x9' each. Removal of oil overpainting, filing losses of plaster, inpainting and varnishing. Sub-contracted by Ruth and Wecker. |
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1989 |
Columbia Presbyterian Hospital, cafeteria, New York City. Four murals by Dudly Morris, 1950's. Oil on canvas glued to the wall, 15'x17 each. Removal of food and drink stains, removal of varnish and linseed oil coating filling losses with gesso, inpaintng, and varnishing. |
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1987 |
Private Collection, New York City. Six murals - French Pastorals, XIX Century, casein on plaster, attached to the walls. Extensive reconstruction of compositions. Subcontracted by Luca Bonetti. |
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1982 |
Merrill Lynch Summer Estate, Locust Valley, NY. A room housing a fifty-foot swimming pool. 50 sports scenes by Bouche, dated 1887. Mixed media on canvas, glued to walls, approximately 3000 sq. ft. Consolidation of delaminated canvas, consolidation of the paint layer, removal of varnish, cleaning of mildew, filling paint layer losses, complete reconstruction of 3 missing compositions using old photographs, inpainting, and application of protective coating. Chief Conservator/Project Director. |
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1976 |
Seagram Building, New York City. Theater Curtain by Pablo Picasso, Bull Fight, tempera on unprimed canvas. Surface cleaning, consolidation of the paint layer, lining inpainting, and varnishing. Worked for Berger Art Conservation, Inc. |
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